Artists C

Steven CAMPBELL / Patrick CAULFIELD /
Bernard COHEN / Harold COHEN / Patrick COLLINS /
Barrie COOK / Roger COOK / Austin COOPER /
Thomas Joshua COOPER / John COPLANS /
Tony CRAGG / Michael CRAIG-MARTIN / Ken CURRIE




Steven CAMPBELL (1954)

English Landscape with a Disruptive Gene, 1987
oil on canvas
250 x 221 cm
inv. no. 87PE74

Patrick CAULFIELD (1936-2005)

View of the Bay, 1964
oil on board
122 x 183 cm
inv. no. PE250

Bernard COHEN (1933)

Drawing Imperial I, 1962
pastel on paper
52,5 x 63,5 cm
inv. no. DE11

Drawing Imperial II, 1962
pencil and coloured crayon on paper
52,5 x 63,5 cm
inv. no. DE12

Mist, 1963
oil and tempera on canvas
152,5 x 152,5 cm
inv. no. PE241

Harold COHEN (1928) 

February 1961, 1961              
oil and collage on canvas
165 x 159 cm
inv. no. PE256

Gamma Orionis, 1961
oil on canvas
172,5 x 203 cm
signed “Harold Cohen”
inv. no. PE257

Alpha Lyrae, 1961
acrylic on canvas
99,8 x 112 cm
signed and dated "New York, March 1961"
inv. no. PE254

Pallas, 1961
oil on canvas
144 x 195 cm
inv. no. PE289




Constant, 1962
oil on canvas
137 x 168 cm
inv. no. PE255

Quadratic, 1962
oil on canvas
167,5 x 84 cm
inv. no. PE265

Factor, 1962
oil on canvas
81,5 x 96,5 cm
inv. no. PE258

Patrick COLLINS (1910-1994)

The exile, 1959
oil on board
73 x 49 cm
inv. no. PE259

The Clown, 1960
oil on board
39,5 x 30 cm
inv. no. PE260

Barrie COOK (1929)
 



Continuum, 1971
Ink on paper
79 x 138 cm
inv. no. DE45

Roger COOK

R15, 1964
PVA on canvas
183 x 244 cm
inv. no. PE248




R21, 1964
PVA on canvas
122 x 121 cm
signed and dated
inv. no. PE246

Painting, Maio 1965
PVA and graphite on canvas
76,5 x 101,5
signed and dated
inv. no. PE247

Painting, Junho 1965
acrylic on canvas
each pannel: 182,5 x 76,2 cm
diamond shaped work: 216 x 258 cm
signed and dated "Painting, June 1965"
inv. no. PE249

Austin COOPER (1890 -1964)

 


Congeries, 1957
watercolour and collage
33,5 x 36 cm
inv. no. PE252




Traject 134, 1958
watercolour and collage
29,5 x 41 cm
inv. no. PE251

Thomas Joshua COOPER (1946)

Work of 6 photographs: "South and North"

A Sul de Santiago do Cacém, 1994
b & w photograph turning selenium
40,5 x 58,5 cm
edition 1/3
inv. no. 96FE50

A Sul de Santiago do Cacém, 1994
b & w photograph turning selenium
40,5 x 58,5 cm
edition 2/3
inv. no. 96FE51

A Sul de Santiago do Cacém, 1994
b & w photograph turning selenium
40,5 x 58,5 cm
edition 3/3
inv. no. 96FE52

Serra da Peneda, a Sudeste de Melgaço, 1994
b & w photograph turning selenium
40,5 x 58,5 cm
edition 1/3
inv. no. 96FE53

Serra da Peneda, a Sudeste de Melgaço, 1994
b & w photograph turning selenium
40,5 x 58,5 cm
edition 2/3
inv. no. 96FE54

Serra da Peneda, a Sudeste de Melgaço, 1994
b & w photograph turning selenium
38,5 x 58,5 cm
edition 3/3
inv. no. 96FE55

Work of 8 photographs: "The World’s Edge"

Cabo da Roca (6 a.m.), 1994
b & w photograph turning selenium
58,7 x 83,9 cm
edition 1/8
inv. no. 96FE56

Cabo Carvoeiro, 1994
b & w photograph turning selenium
59,5 x 84 cm
edition 2/8
inv. no. 96FE57

Cabo Espichel, 1994
b & w photograph turning selenium
58,5 x 83 cm
edition 3/8
inv. no. 96FE58

Cabo Espichel, 1994
b & w photograph turning selenium
58,5 x 82 cm
edition 4/8
inv. no. 96FE59  




Ponta de Sagres, 1994
b & w photograph turning selenium
58,5 x 83 cm
edition 5/8
inv. no. 96FE60

Cabo de São Vicente (6 a.m.), 1994
b & w photograph turning selenium
58,5 x 84 cm
edition 6/8
inv. no. 96FE61

Cabo de São Vicente (meia-noite), 1994
b & w photograph turning selenium
58,5 x 82 cm
edition 7/8
inv. no. 96FE62

Cabo de São Vicente (6 a. m.), 1994
b & w photograph turning selenium
58,5 x 83 cm
edition 8/8
inv. no. 96FE63

John COPLANS (1920-2003)

Self Portrait (Torso, Front), 1984
gelatine silver print dry mounted on museum board
paper:125,5 x 91,5 cm
plate: 120,7 x 86,5 cm
edition 2/3
signed and dated
inv. no. 95FE47  
 



Self Portrait (Lying Figure, Holding Leg, four panels), 1990
four gelatine silver prints, each separately mounted on museum board
edition 4/6 
109 x 287 cm
inv. no. FE48

Self Portrait: Upside Down, n. 1, 1992
gelatine silver print
187 x 78 cm
inv. no. FE49

Tony CRAGG (1949)

Laboratory Still Life no. 3, 1988
framed aquatint and spit bite on paper
63 x 65 cm
edition 20/20
inv. no. 98GE593

Michael CRAIG-MARTIN (1941)

Order of Appearance (Book, Cassette, Canvas, Drawer), 1990
a set of four screenprints
paper and image: 118,0 x 83,2 cm (each)
edition of 50
signed and dated “Michael Craig-Martin 1990”
inv. no. GE603 1-4 




Ken CURRIE (1960) 
 



Shipbuilding on the Clyde Part 1 – The Old Man’s  Song, 1985
black conté pencil on paper
153 x 255 cm
inv. no. DE115